How to make a song? The secret is like this!

Hello Guys! Here we discuss How to make a song? The secret is like this!
I made a song. I wrote the lyrics myself, then I asked people to compose music, invited the band and the singer to record the shed, and I was inspected, examined, and finally handed over the master tape and CD to my client. So let me contribute a version of the show -

1. Lyrics

First of all, write the lyrics of your song.

2. Composing

The order of lyrics and composition can be reversed. If it is a song of artistic creation, it is OK to make a first word and a first song. If you are a custom song (such as a corporate song), you must write the word first. The patrons passed the word and compose again. This can save money. Because the customer may ask you to change the author of the word. There are also so-called singer-songwriters who first pay for the right to sign from others and only find music for composing.
Words and songs are unlikely to pass at one time and have to be modified several times. Sometimes for melodic melody, I may go back and modify the lyrics that have been finalized. Because the Chinese have a rhyme and four sounds, the word is to be "folded".
There are fewer people in the circle of songwriting. In Beijing, you know the old people in 1 or 2 circles (not necessarily older people), and basically, you can find other songwriters. Some songwriters love to fix their partner.

3. Play a sample

When the songwriter is composing, he may use MIDI to make a song. But this kind of song is used for the unrecognized patrons. The “small sample” in the third link refers to the combination of words and songs recognized by the customers. At this time, it may be sung by the composer, or it may be simulated by MIDI. The vocal simulation of MIDI simulation has no specific lyrics, which is the kind of vocal, the purpose is to let you listen to the beat, the level of the sound, the door, the mood and so on. If the customer does not pass the demo, the songwriter is obliged to make free modifications. If the customer passes the sample, the sample will be used as the standard for the future acceptance of the finished product. In theory, the songwriter can receive money. If the customer does not accept the goods according to the sample standard after recording and requires modification, the additional payment to the songwriter is required. Therefore, playing a sample is a very important part of contract execution.

4. Arranger

Arranging to solve the adapter problem. That is, the arranger decides which instrument to use to represent the song, where each instrument is used, and what part of the voice is used. Some composers can also arrange music, but some can only write songs, and can't arrange music for the band.

The arranger composes the song, usually also records the part of the real instrument with MIDI, and exports the instrument of each part to the sound engineer. The audio is generally dry. In the format of the audio track, the arranger should communicate with the sound engineer and the mixer. There are two forms of audio tracking. One is the wrong end of the head, that is, all audio files are aligned from the beginning of the song. The other is that the head and tail are right. That is, if the length of the music is 4 minutes, even if there are only a few seconds, the rest is blank, and it should be exported in 4 minutes. Some arrangers will also mix a small sample after exporting the track, and give it to the mixer.
The arranger has to give the musicians a score, that is, for each instrument, they copy the scores separately. Strings, to score scores and parts; rhythm guitar, only chords; Huacai, sometimes to score, sometimes only chords and style notes, improvised by guitarists.
After the score is over, you have to copy the score, because a band may be dozens of people. In principle, every musician and every instrument must have a special score for him to watch while playing.

5. Please band (including the conductor) and singer

Mainly consider the price, schedule, preferences of the customer and other factors. This link can be done at the same time as the arrangement.

6. Recording shed

Generally, the songwriter or arranger goes to the shed to monitor the performance of the band and the conductor in a timely manner.
When the sound engineer is recording the shed, record the real instrument first. If one is recorded, every instrument is recorded severally. The sound engineer is sometimes a mixer. At this time, he will simply synthesize the real instrument into an accompaniment band and then record the singer vocals. Because some singers don't know how to read, and some don't have an accompaniment.
When recording a singer's voice, you can monitor the shed or not. However, if you record a chorus, you personally think that you must be robbed, otherwise you may have a defective product and put your work in your hand. Due to the high cost of recording, re-recording may result in a loss. I dare to monitor the shed, mainly because the sound engineer I asked was originally a musician, and the ear sound is wonderful! I only care about music style. As for the pitch problem, the sound engineer is all inclusive! He can point out any pitch problems of national actors and first-line singers in the first place.

7. Mixing

After the singer, composer, arranger, producer, etc. are satisfied with the results of the recording, the mixer mixes all the tracks (including accompaniment tracks, instruments, vocals, etc.). Sometimes the sound engineer also serves as a mixer.
The remix is in the studio, not the performance site. Through the use of the functions of the mixing console, the various pieces of recorded audio are combined to make the final product show the stereo effect of the theater performance. To measure the level of a mixer, the key is to see if his mixed work has a sense of theater. In general, there is a band performance experience, and a mixer who knows where each instrument is in the band can mix a three-dimensional, theater-like work. Otherwise, you will feel that the work is fluent and complete, but it is a little bit sloppy and full of fullness.

In the professional mixing room and professional conditions such as remote, medium, near, and various reference boxes, the mixer uses digital or pure analog mode to apply compression, equalization, excitation, distortion, reverberation, etc. to each track. To complete the mix.

Finally, the producer confirms the work done by the mixer.

8. Making a Master Tape

The producer passes the audio file of the finished mix to the master processor to make a digital or purely simulated master. Sometimes, the mixing console is connected to the mastering station and the CD burner. This part can be used by the mixer.

The producer gets the master tape and marks the audio production process of the song. If the customer accepts the acceptance, the contract is executed. The patrons can deliver the master tape to the audiovisual publishing company for publication.

9. Make a Video

If you are making a film or TV show or an MV, you will deliver the master tape or CD to the video production team.

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How to make a song? The secret is like this!